I was very interested in James Danky's presentation for a number of reasons. I have been a pretty avid comicbook reader since I was a child. I can remember trips to the comic book store, and waiting patiently for my subscription to Spider-man, Thor, Wolverine, or some other book to begin arriving in the mail. That I still think that anticipation was one of the greatest parts about being a child. I also have a deep appreciation for underground and DIY movements. Naturally I respect and find intrigue in the combination of these two in the format of underground comix. I have also found an interest in zines and other narrowly circulated, independent works. They appeal to my thirst for creativity and shared knowledge, as well as my belief that everyone should have an outlet and ability to produce something creatively to share their ideas and experiences. James made a lot of interesting references that were the benefit of his experience as a historian and his understanding of the way that unlikely sources may influence someone's work. It really does take a lot to change ideas and concepts that are currently being practiced, which is why such an underground movement as comix can be so fascinating. From zines and underground newspapers into more social and political issues in the more difficult to market artwork of Clay Wilson or Wilt Elder, Danky found relevance and history where no one else was seeking it. Danky was able to find meaning and importance in all these deviant artworks as demonstrated by the comparisons with classical art that he made with his students. This interest and relevance continued until recognition for these works started to come and eventually changed to movement drive the artists into other areas and even mainstream for a new kind of attention. The fact that Danky picked up on something to research and investigate that no one else paid any attention to, demonstrates how perceptive an individual he is. It takes a careful eye and a lot of courage to start something that no one else cares about. I am glad that people like Danky are around to start looking into what no once else gives attention to.
IHRTLUHC
Jordan Severson
IHRTLUHC
Jordan Severson
It did seem pretty crazy that Danky thought that comix should be shown in museums just the way that other art forms are, but that this didn't become a reality until 20 years later or so. I bet that people around him when he started voicing his opinion about this were very judgmental, but not look at the kinds of things that are hanging in well-respected museums:
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The persistence and vision involved in Danky's work should not be overlooked. How difficult is it to express everything he knows about the subject in a 45 minute lecture?
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