It is sometimes really helpful for me to think about progress in steps or separate phases. That way I keep moving and focus on one thing at a time, but when I look back I see that I have accomplished more than I am aware of even after I started thinking about my video in a final phase. Once it got to a certain degree of finish I started thinking of things in terms of finishing touches on a minor scale, but in some ways I have been doing more work or at least more intensive alteration since I have entered this stage. There are always a few more things that I'd like to tweak and play around with. I hope that feeling serves the project well, but I also I hope I do reach a state where I can feel satisfied with the product to feel like the video has reached my original or revised set of goals and encapsulates the message that I want viewers to receive. I have been working to swap out and trim down some of the current scene choices to make the video a bit tighter, more direct, and more effective.
The result of changing, trimming,and adding footage, not to mention credits and titles, has put me very near 10 minutes. I think that means I still have a good minute and a half by which to reduce my video so that I safely fit within the confines of the ten minute viewing timeslot with a brief introduction and maybe a question or two, barring technical difficulties. I hope to avoid technical difficulties by starting to think about putting my project on dvd middle to late next week when I still have time to work out kinks in the final stages of development. This week I have done a lot of tedious fiddling with minor parts to get them right, find a medium between abrupt and lengthy transitions, add some subtle filters for emphasis and some aesthetic purpose(rather than unnecessary dazzle), and try to consider solutions for some of the criticism I have received. So far, these general issues seem to be getting resolved better than I anticipated.
My next concern is music. I want to keep the strongest portions of the video intact without detracting with music, but I think it will also help make some of the less effective transitions work, and generally help hold the video together. I am a bit apprehensive because I don't want to disrupt the current tone of the film or overemphasize it too much, just compliment it. I have been dabbling with Garageband and I have started recording material for background sound, but I am not far enough along to say how much it will help. I definitely think music is important to the communication of a vision if applied more judiciously than arbitrarily. One of my concerns is vocal use. I think that is the most effective and also the most dangerous part of adding music. I don't want to steal anything from dialogue, but some parts may not make sense to have solely instrumental music. Both can be powerful if used well. I have also been trying to find the right angle on my working title. Here are some of my considerations:
Un/Familiar Voyage
Reverse Shock: An Uncanny Journey
Raw Shock: A Story of Return
Raw Shock: A Study in Cultural Adaptation
I think that the title should be open to interpretation to make the viewer wonder, but also be applicable enough to suggest that some kind of analysis is taking place.
IHRTLUHC
Jordan Severson
Showing posts with label filter. Show all posts
Showing posts with label filter. Show all posts
7.3.10
27.2.10
What drives our art?
Slime mold, matthew barney, wow report, beirut, michael jackson...what do they all have in common? They all provide inspiration and serve as either mentor, or muse to my classmates. These and all the other choices for the projects we've undertaken are all interesting and diverse interests. It would seem that my classmates have a great many inspirations for their work and it is fascinating to see the relationships between some of these choices of inspiration and the projects that have been developed in connection with them. Even though some relationships seem more direct and obviously connected to the end product than others appear on the surface, these choices have all had interesting impacts on individual works of art. I have to say that my own choice seems plain and ordinary by comparison.
I had difficulty picking a mentor that I saw could be easily related and explained to others. My first instinct was to report on my inspiration from a man named Juan Carlos whom I met in Siena. The difficulty is that I have no real facts or information concerning this man and sometimes I am not convinced myself that he actually exists. He was the most remarkably positive person I have ever met, a practicing artist despite all of his life's hardships, and he is a man who has discovered the secret to his own happiness. He is the type of man who can make you feel incredibly good about your life just by sharing some of his life stories to show that your life is not so bad and that if he can still be this positive you had better be. Juan Carlos is the type of man that can tell you everything that you want or need to hear, but make you actually believe it in a way you never thought possible. He is the type man that I aspire to be, an artist who works by his own methods and standards to accomplish his goals and reach people in a way that is very rare. Unfortunately, I have found no traces of this man on the internet yet even though I know that he has art around the U.S. and Europe and has impacted many lives besides my own. He still remains mysterious and seemingly unreal or invisible even though he is impacting so many with his artwork. I hope that some day I may do the same with my artwork.
I ended up picking Christopher Nolan because of his works like Memento, and the Prestige. I half wish that I would have found something a bit less obvious or mainstream to impact my video in a less blatant and perhaps more fruitful way. However, I think that the connections I made did provide some necessary structure and goal to my project. I thought about new video techniques, using filters like sepia tone, to add a reminiscent quality and increase emphasis by using contrast to tie my scenes together better.
IHRTLUHC
Jordan Severson
I had difficulty picking a mentor that I saw could be easily related and explained to others. My first instinct was to report on my inspiration from a man named Juan Carlos whom I met in Siena. The difficulty is that I have no real facts or information concerning this man and sometimes I am not convinced myself that he actually exists. He was the most remarkably positive person I have ever met, a practicing artist despite all of his life's hardships, and he is a man who has discovered the secret to his own happiness. He is the type of man who can make you feel incredibly good about your life just by sharing some of his life stories to show that your life is not so bad and that if he can still be this positive you had better be. Juan Carlos is the type of man that can tell you everything that you want or need to hear, but make you actually believe it in a way you never thought possible. He is the type man that I aspire to be, an artist who works by his own methods and standards to accomplish his goals and reach people in a way that is very rare. Unfortunately, I have found no traces of this man on the internet yet even though I know that he has art around the U.S. and Europe and has impacted many lives besides my own. He still remains mysterious and seemingly unreal or invisible even though he is impacting so many with his artwork. I hope that some day I may do the same with my artwork.
I ended up picking Christopher Nolan because of his works like Memento, and the Prestige. I half wish that I would have found something a bit less obvious or mainstream to impact my video in a less blatant and perhaps more fruitful way. However, I think that the connections I made did provide some necessary structure and goal to my project. I thought about new video techniques, using filters like sepia tone, to add a reminiscent quality and increase emphasis by using contrast to tie my scenes together better.
IHRTLUHC
Jordan Severson
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